Brand Marketing vs Experience Marketing

Share This:

Speaking to your audience about your brand or offer them an experience, what is your goal?

The idea that you are selling the product vs selling the experience is not new to the marketing world, but it is new to the healthcare or medical device industry.  They both have a place in producing video content but which one is more effective at establishing lasting memories for the audience?

When you compare these marketing techniques a few brands come to mind.  Pepsi Cola vs Coca Cola or Apple in the mid eighties vs IBM.  Pepsi started  the campaign “Pepi Generation”  which focused on the lifestyles of the Baby Boomers who were interested in high energy activities like riding dirt bikes, surfing, hiking etc.  Because this campaign focused on the lifestyle of the generation at the time instead of the product it became in instant hit with this generation.

“Do you want them to remember the feeling your content gave them?”

Steve Jobs also was a big proponent of selling the experience of the product other than the computers themselves.  He understood that if the audience could see themselves using the product that way it would connect the audience to the “WHY” instead of the technology being developed.

In healthcare, medical device or Emergency Medical Services there is no difference in the audience reaction only the mindset of the marketing managers developing the brand awareness.  Sure it is always good to have a product demo video to share as the purchasing decision gets closer, but to grab the attention of the audience the same principle applies. Experience Marketing changes the focus of the product back to the consumers and/or patients experience.

What a Promo Video must have

Share This:

Telling a story is fundamental in our DNA.  This doesn’t change if we are talking to family at a reunion or learning in elementary school, our interest in stories about others whether it is a person, company or product it comes down to being able to relate to it. The best possible way to do this with promotional video content is to tell a story, that being said here are a few more factors to think of while producing a promo video.

  • Explain what the video is about – they still do need to know what the video IS.
  • Make sure they know we’re active on social media talking about the show – viewers want to interact with the video and the cast & crew creating that content.
  • Be sure to display the URL of website or hashtag you are creating – Also important to include BTS, interviews, photo galleries, etc to show what went into the creation of it.
  • Make sure it feels different or unique – there are a lot of promo videos about a “Cardiac Monitors”, so how is THIS one different?
  • Make sure it looks visually memorable – it’s a brand hallmark, and needs to look high quality.
  • Make sure visuals and color palate are on brand – allowing viewers to know exactly who you are early is important .
  • Make sure it’s worthy of your audience’s time – you want to stand out and make sure you aren’t just creating a video to create a video, why is this video worth their time?
  • Make sure it emotionally connects – people want to feel emotionally connected, it’s what will make them remember you and think about you in the future.
  • Make sure it tells a story.

And you need to do all of that in just thirty seconds. I say thirty seconds, but if you can do this in thirty seconds and you want it to be more like 90 seconds we have just allowed us to improve upon the story and character building with sixty more seconds.  But that’s the reality of promo storytelling – it’s got to be a balance of story and message, if the message isn’t clear, the story won’t help.  It’s got to be easy on the viewer meaning that they shouldn’t have to work too hard to understand what we want.

It’s also key that we understand the parameters of how a promo is structured. Every word counts and every beat matters.  It’s not a formula, as some promos shift things around – or we find ways within this structure to keep the viewer intrigued, to push them out of their own comfort zone a bit to take more notice. But this is the basic outline:

:00-:03 – At this point we want this to introduce branding to a degree. It’s not unlike movie trailers when you see that studio logo.

:04-:08 The Setup – time to get their attention! This is where you get them excited and draw them in.

:09-:23 Excitement – it’s time to deliver on the setup and give them some drama, laughs, or excitement.

:24-:27 The Reveal – at this point, we need to be making sure we show the product, the service, the connection between the story and your company.

:28-:30 Your Logo – this tells them who is responsible for this content, call to action and contact information. You don’t want them to get confused with one of your competitors!

As you can see there is a lot that goes into the developing of a promo video.  You need to start at the 60,000 foot level and understand the big picture as this may be not clearly stated when you first go into the pre-production meetings because being on point and on message will be how you are remembered when it is all said and done.

The ARRI Amira

Share This:

I have been reading and listening to podcasts, talks and all the buzz around NAB and all the new releases being predicted and one thing is certain among our industry… You will never be ahead of the curve, you can only hope to give your clients more than they expected and they call you back for more work down the line.  It has been a crazy year for us here at Setla Films as I moved from the San Francisco Bay Area to the suburbs of Detroit.  What amazed me was the fact that the work didn’t change as it never seemed to be in the Bay Area or very rarely and now I am working more than ever on corporate shoots.  This told me something about what I was willing to invest in.  I have been using the Sony F55 for over 2 years now and have felt pretty comfortable in the image I was getting both HD and 4k, but sometimes your gut tells you it is time to diversify your experience.

Most of my clients wouldn’t care if I showed up with a DSLR or ARRI Alexa, all they care about is if I can put together a cohesive story and based on the videos that were done before me I can safely say that it truly doesn’t matter what camera I use as I know I can light better and tell a better story than my clients are used to.  So the question here is why did I invest over $50,000 on a new camera system?

Well the big question when you own your own business is why buy vs renting for gigs?  About 5 years ago when I was on a shoot with a DP who had over 20+ years experience he was getting ready for the first part of the gig and the client asked him “Can I get timecode on the monitor?” and since the camera the main DP was using was mine he came over to me and asked “Hey, can you figure this out?”.  I knew right then that if I was ever in a position with a client and there was a need for me to know the camera enough to get through any troubleshooting I had better own it to get to know it. From there I couldn’t bring myself to rent a camera for a client.Arri Amira Camera On Rent | Setla

Most DP’s I talk to spend a good deal of time comparing cameras before they buy.  While price starts the analysis i.e. $5000 – $10,000 range etc then they have narrowed their search to around 3-4 cameras max.  I went into this with the idea if I had all the money in the world what camera matches my shooting style i.e. weight, manual lenses, docustyle, interview, travel a lot, mostly a one man band etc.  While I narrowed the search to RED, Panasonic Varicam, ARRI and Sony I wanted to make a decision based on the 2 factors.  1st if the camera can produce an amazing image given an educated user and 2nd what is the customer service aspect of the company.  I called ARRI to discuss with them the financing package they had going and I got a really rude answer from the receptionist “I’m sorry I was just told to have you email inquiry@arri.com to get more info”.  REALLY?  I am about to spend $50k and this is the response I get?  I was floored and immediately went on twitter to show my disappointment.  it wasn’t 1 week before I received some shwag from ARRI apologizing for the experience and calling me directly to give me all the info I needed.  I couldn’t have been more surprised by the effort they showed even a small company like mine.

Once I realized that this is what I was going to get when I needed help I was convinced that the ARRI Amira was going to be my camera.  The funny thing is when you extend yourself like this to buy equipment it becomes a motivator to make sure you find the clients and projects needed to pay the bills.  If you ever have any questions about my experience with ARRI don’t hesitate to contact me and I only wish happy shooting for all you that know how important camera choice is!

 

 

I knew that I wanted bigger and more diverse clients since most of my initial clients were in the healthcare space,

Why video production is worth paying for

Share This:

Just like that time when you needed an attorney because you got into some heat over that thing.  When it came to finding an attorney with the right skills to put your mind at ease it took some time didn’t it?  The first several attorneys you talked to were pretty expensive, had relevant experience, but just were out of what you could afford.  Some others were more interested in backing you into a contract and get a deposit immediately, but didn’t necessarily show they had the exact experience. Finally you landed the right one, it wasn’t too expensive, they worked with you on payment, but it took time.  Here is the lesson of the day.Fast Good Cheap

This isn’t new NEWS or anything, but more of a reminder for people looking to get a video produced.  You can’t get all three and let me explain.  Some companies will ask for a cheap youtube video done without all the bells and whistles and have it up by tomorrow.  Well this video will not be any good, but maybe that didn’t matter them.  Other companies know that they are on a deadline, but have a client or boss to impress, but they are willing to pay, so in this case they have a realistic expectation that it won’t be cheap.  Then there is the client that has no budget worth mentioning, they want it good, but in the end it will not be able to be done fast AT ALL.  These projects fit in between actual paying gigs and require a bit of time to complete.

Why video in the first place?

  • Videos Increase a Viewer’s Understanding Of Your Product Or Service by 74%
  • An Introductory Company Email That Includes A Video Receives An Increased Click-Through Rate of 96%
  • 50% Of Users Watch Business-Related Videos On YouTube Once A Week
  • 80% Of Your Online Visitors Will Watch A Video, While Only 20% Will Actually Read Content In Its Entirety
  • 45% Of Viewers Will Stop Watching A Video After 1 Minute & 60% Will Have Stopped By the 2 Minute Mark

This again isn’t new to most people, but learning this before you contact a video producer about your project will improve the communication immediately and get your project to cross the finish line without near as many bumps in the road. Remember: You get what you pay for. Let your competition shoot their videos on their iPhone. It’s time to make better content. It’s worth the investment.

Why Camera Motion Matters

Share This:

There are very few times in my career when things just clicked.  Those times when someone you met shares a golden nugget of information or something you find changes your complete philosophy about something, but that just happened to me yesterday.  A few weeks ago I get an email from about 5 different manufacturers that I am subscribed to including Kessler Crane, Zacuto, and Canon about a class that was being offered by Vincent Laforet called Directing Motion.  After you get a few of these you start to almost think of them as spam, but I decided to take a look.  I admit I was skeptical about the class as I have been to a number of these classes where someone with way more experience than me was teaching something I knew I wanted to learn more about, but most times the ego of the person just repels me and I just have no interest in learning from them.  Admittedly I have met Vincent on a number of occasions and I have never felt he was a very approachable person.  You can’t just buddy up with everyone I suppose, but I digress.

Vincent Laforet ~ “I had 2 months to sit around after fracturing my arm in a dune buggy accident so I decided to watch over 600 of my favorite movies and take copious notes about how the motion of the camera was used…”

Now these weren’t just notes on what he liked, but what he didn’t like and why each director used camera motion to create emotion.  This had to be paired down to about 50 real world examples of directors who used camera motion in one of two ways.  Motivated and un-Motivated motion. To define this Motivated motion is that someone or something in the scene has motivated the camera to move.  Consider the camera a piece of metal and the actors the magnet.  If the camera motion is done Unmotivated this means one of two things, the director was taking you through the scene for a purpose, or it was a useless camera motion.  Pan Left, Tilt Up, Boom Down, Parallax, Push in, Follow, Lead, Zolly (Zoom and Dolly combined), One Shot Wonders were not just terms, but dedicated camera moves with a purpose.   Many of his examples naturally revolved around Martin Scorsese, and Steven Spielberg who in their own rights have done amazing cinematography feats, so why not understand their decisions to use camera motion and why?

There were way more lessons I learned in this 12 hours course than what I can share on this post, but rest assured that camera motion will be applied and used to create the emotional connection I have dedicated my services to my clients for.

 

 

Improving healthcare globally

Share This:

This is no easy task and considering the magnitude of this title I bet you are asking yourself “Who the hell does this guy think he is?”   That is a fair enough question and I am also the glass is half full, optimist and change can come if you will it, kind of guy.  Why do I need to worry myself about this large goal when I have three kids to feed and bills to pay?  The answer is pretty down to earth… If I don’t who will?  I have talked with diplomats who are representing EMS and healthcare at the presidential level, I have conversed with entrepreneurs about amazing medical device and wearable bio-sensing products coming to market as well as progressive healthcare and medical transports companies, but nothing helps take those amazing discoveries, business models and visionary healthcare solutions to the global market better than edutainment.  Nothing connects the human heart with the idea of change better than telling a story and provoking an emotional connection with your audience.


If I don’t do it… who will?


Storytelling and provoking feelings of change is nothing new, as a matter of fact it is probably the oldest form of campaigning for change we know.  Edutainment is just a fancy word for combining what we already know works for keeping people’s attention “Entertainment” and infuse it with “Education and Cause” through an emotional journey that an audience member can connect with.  After spending the last 22 year in healthcare and traveling the world learning how healthcare is delivered I am actually surprised no one has thought to do this sooner.  Sure that are movies out there like “Sicko” or documentaries of dispair and grief, but as a healthcare provider our stories don’t require the sensationalist trauma drama that is portrayed in so many movies.  What we know is our own stories are compelling, have substance and if you apply basic storytelling principles along with amazing cinematography and camera motion you begin to capture people’s attention.

If I am to change how we deliver healthcare on a global scale it will take more than my vision for storytelling and understanding healthcare delivery around the world, it will take like minded marketing, healthcare and medical professionals, business savvy investors and companies that see the bigger picture.   It can happen and it will, given the right team that see this potential as I do… what are you waiting for?

 ~Thaddeus Setla  510.859.3456

Saving money when producing corporate videos

Share This:

When I first starting thinking about this post I remembered about 10 different conversations with people from marketing departments from all over the world.  When I mean around the world I mean just that from Germany to San Francisco, from Australia to New York.  Each of the conversations began with their desire to use video more in their marketing efforts, realizing how impactful video is and seeing the importance of story telling in their efforts to connect with their audience.  I was extremely relieved that I didn’t have to go through the education process of helping them realize this importance.  The conversation went from ideas on subjects to cover to content architecture and how it all fits together.  From using social media and branding to a complete long term messaging platform our synergies were amazing and we appeared to be on the same page until we started talking budget.

Every time budget talks come to the table it is clear that all the other important and relevant information we just discussed almost becomes a fleeting thought.  I began to explain that when it comes to content creation and architecture there are a couple of important key factors that companies should consider.  When you hire a film crew to cover your event, create a video or two or have long term content goals that crew becomes part of your organization, or at least they should.  For many corporate shoots I have been on there are multiple interviews, a lot of b-roll shot and the direction of that content could go anywhere.  If that video crew knows you, knows your company’s soul and is able to bring out the sincerity and authenticity in those interviews, see opportunities with content that may not have been in the scope of the work you initially slated.  The right video crew knows this and are much more than a hired camera man for your shoot.  They become content partners, the architects of your content and help you understand how to use the content more effectively and efficiently to meet your needs.  What does this have to do with money?  When you use different video crews all the time they won’t be looking out for additional content opportunities for you and will absolutely not look beyond the scope of work you hired them for.

In the end the benefit of establishing a good relationship with video content creators is seen both in the content itself and the savings of getting more out of your corporate shoots that originally planned.  The question I ask myself is this…  If the company plans on using me for multiple projects and I can see opportunity to create additional content why wouldn’t I grab it?  I want my clients to know I am looking out for them at every corner.  It’s about being a great media partner and creating value add in everything I do!

 

image007